Presonus Studio One Professional V2.5 Win With Keygen Full Version ~ MugShares

Presonus Studio One Professional v2.5 WIN

   Studio One is a new music creation and production application for Mac OS X
   and Windows XP/Seven that makes audio recording, MIDI sequencing, and audio
   mastering simple right out of the box, yet provides a wealth   of
   professional features.

   Fresh code, innovative drag-and-drop MIDI mapping and plug-in management,
   auto-configuration with PreSonus hardware, good audio quality, unlimited
   tracks and plug-ins per track and a powerful, inventive, Start page that
   puts the whole project right in your hands are just a few of the compelling
   features that make Studio One the next generation in audio software,
   according to PreSonus.

   Studio One gives you a complete, easy-to-use solution from raw tracks to
   finished master, while supporting the latest standards and technologies.


   Features:


   Elegant single-window work environment.

   Powerful drag-and-drop functionality.

   Unlimited audio tracks, MIDI tracks, virtual instruments, buses and FX
   channels.

   Content browser with convenient sort options and preview player.

   Integrated mastering solution with automatic mix updating,   waveform
   editing, effects, Red Book CD burning, and digital release.

   Automatic delay compensation.

   Advanced automation.

   64-bit processing (even on 32-bit machines).

   Easy-to-use sidechain routing.

   64-bit effects suite.

   Virtual instruments collection.

   User-friendly sampler.

   Intuitive MIDI-mapping system.

   Real-time audio timestretching and resampling.

   AU, VST2, VST3, and ReWire support.

   K System metering.

   Compatible with any ASIO-, Windows Audio-,or Core Audio-compliant audio
   interface.


   Changes in v2.5
   ---------------

Arrangement
Comping/Editing
    Ranges are promoted automatically when selected on a layer instead of the
old "create range + double-click" to promote.
    Double-click/[Command]-click to promote a range on a layer that is defined
by events on track.
    Resize events on track via edges of clip shadows on layers.

Listen Tool
    This tool now has the same behavior on track/layer: It always plays while
the mouse button is pressed.
        No modifier: plays from clicked position (snapped if snap is on).
        Shift: plays event range on track in loop.
        The Special Layer tool switches to the Listen Tool while holding [Alt].

Solo State
    Soloing a Layer will also affect layers on grouped tracks.
    Collapsing a layer resets the layer solo state.

Comping into Audio Parts
    Events are beamed into a part if the event already exists on the track.
    Clip shadows are shown on layers from inside audio parts.

Other
    Graphic appearance of events on layers changed.
    Better visibility for grouped layers (selected together in the track list).
    Right-click contextual menu for an event on a layer (color and name for
"tagging" good/bad takes).
    Unpack Takes now works on multiple selected events (e.g., on grouped
tracks).
    The option Record Takes to Layers now always copies recorded events to a new
layer (also when not recording in loop or only one take). All material is
collected on layers as long as the option is enabled.
    Layer Follow option per track in Inspector
        Layer content follows events on main track on move/copy/duplicate
operations on the same track (similar to Automation Follows Events).

Folder Tracks
    Editing on Folder Tracks
        Waveforms shown per track in folder.
        Cut, Copy, Paste, Duplicate, etc., are now possible directly on Folder
Track.
    Folder Tracks now have buttons for record-arming and monitoring.
    Adding new tracks to a folder will expand the folder.

Record Mode Changes
    Note Repeat is independent but cannot be combined with Erase mode.
    Erase mode can only be used in Loop-Mix mode and cannot be combined with
Repeat mode.
    Erase mode per MIDI-keyboard trigger now causes Erase button to light up.
    Note Repeat and Input Quantize are reset when you restart Studio One.

Audio Export
    Stem Export for channels now renders all channels simultaneously
(previously, this rendered the channels consecutively).
        In the related dialog, channels are now the default, and the Tab List
has been replaced with radio buttons.
    Continuous clipping warnings (including dB readout) no longer cancel export.
    Export warnings dialog (with options) after mixdown/stem export.

Song Notes
    Song/Song Information menu now has Notes tab where simple text notes can be
kept.

Track Transform
    Automatic tail detection
        In addition to Fix Tail, there is a new Auto Tail option. If this option
is selected, rendering checks to detect whether there is sound after the end of
the tail of the rendered event and stops when there is a silent slice of 100 ms.
    Multiple selected tracks are transformed in one pass (formerly required
multiple passes per track).
    Multiple Output Instruments with Audio Transform: Rendering of all
instrument channels option.
        The option to select a synth channel is gone.
    If the synth has only one output, it is rendered (no options).
    If the synth has multiple outputs, there is a Render All Channels checkbox.
If this option is off, only the channel selected in the Track Inspector is
rendered.
        Retransform to instrument track will remove all audio tracks that were
created during the first transform step.
    Other Fixes/Changes
        The Remove Instrument option does not move the instrument to the trash
anymore.
        The Remove Instrument option can only be checked if no other tracks
reference the instrument.
        Undo/Redo for Removed Instrument fixed. (The bug was: Redo did not
remove the instrument after Redo Transform to Audio, and on Retransform to
Instrument a second instrument instance appeared.)
        Undo/Retransform of a multiple output instrument now restores all
instrument channels.
        The output channel selected in the Track Inspector is restored (Undo and
Retransform).
        Undo Transform Instrument to Audio now restores output connections of
instrument channels.
        Retransform to Instrument Track restores delay, transpose, and velocity.
Audio Engine
Pre-Record
    Pre-record is a global setting (Options/Advanced/Audio). The user can switch
it on/off and modify the required length up to a maximum of one minute.
    The recorded data is collected in the input channels as long as physical
inputs are connected.
    After recording with Pre-record enabled, the user can reveal that data by
pulling the Event Start handle to the left.
    If that recording restarts on the same track, the Pre-record data is limited
to end of the last recording so that data is not repeated, and a seamless join
between the two recordings is possible.

Re-record
    Instrument output, bus, and ReWire channels can be selected as the input to
any audio track (grouped in branches in the input selection menu).

Other
    Record offset can be set at Options/Advanced/Audio (in samples).
    Memory used by timestretched audio files is released/reused more efficiently
during playback.
    Port menus for input/output selection of channels and tracks are now sorted
by type and alphabetically by name. (Previously, there were in creation order.)
    Audio waveform overview now uses 16-bit instead of 8-bit peak files.

Remaining Record Time Display and Stop Function
    There is a new alert message and recording is stopped when the hard disk is
full.
    Remaining record time is shown in transport panel.
    There is a new popup panel: View -> Remaining Record Time.
    Color changes to red when disk is nearly full.

Automation
    When moving points, [Cntrl]/[Cmd] locks time or value depending on mouse
distance.
    [Alt]+Double-click in empty space (or on a point) selects all points from
there to the end.
    Paint tool: simple click (no dragging) only inserts one point.
    Points are only drawn on selected tracks/lanes, in the color of the envelope
(but selected points are always visible).
    Envelopes in music editor are drawn in the color of the notes.
    Adjust point value with Alt + mouse wheel.
    After moving one point over another, one gets removed (must be same time and
value).
    To avoid adding unwanted points by accidentally clicking beyond a point,
there are now different mouse cursors for envelope/point.
    A point's value and the envelope color can now be edited directly in the
Right-click contextual menu of a point (replaces the Edit Value dialog).
    Navigate/nudge points with arrow keys.

Browser/Drag-and-Drop
    Replace an audio clip in an event with drag-and-drop by holding [Alt].
    Insert multiple clips selected in Browser to the same track by holding
[Cmd].
    Drag effects onto events as Event Effects by holding [Alt].
    The Merge File command now merges files consecutively instead of presenting
an error message when the suffix .L or .R is not found.
Native Effects™
    Wet/Dry Mix parameter for dynamics processing and distortion effects. Exists
in:
        Compressor
        Multiband Compressor
        Tricomp™
        RedlightDist™
        Send FX Mix Lock
    Inserting an effect into the first slot of a bus/effects channel sets
wet/dry mix to 100% and enables a lock for the mix. The Lock state is saved in
the Song but not overwritten/saved by presets. Exists in:
        Beat Delay
        Analog Delay
        Groove Delay
        MixVerb
        Room Reverb
        Spectrum Meter
            Sonogram and Waterfall modes with freeze
            Curve mode ("binwidth corrected")
            Larger maximum FFT sizes
            Sidechain in (for comparison)
            Note + cent tooltip for frequencies

ProEQ
    Waterfall and Curve mode
    Sidechain in (for comparison)
    Note + cent entry for frequencies
    Foldable controls (hide controls, show only curves)

Chorus
    Chorus now has two modes:
        Doubler (plug-in default, old mode)
        Chorus (default preset, standard chorus behavior with inverse allpass
movement)
        Multi-FX Units (e.g., Ampire FX and Presence) now use standard chorus
mode instead of Doubler
        Reduced flanging artifacts (added feed forward)
    Improved /selectable LFO waveforms
    Limited free version

AmpireXT
    All models have been improved.
    All cabinets except for the Univox now use new, improved impulse responses
that have been resampled at a high sample rate. This may delay loading quite a
bit.
    Input-trim lock (prevent presets from changing input gain)

Multiband Dynamics
    Phase-corrected summing
    Dry/Wet mix control
Macro Toolbar
    Added Mac OS X 64-bit support for Macro Toolbar.
Music Editor
Legato and Overlap Correction
    The Length dialog (change note lengths) contains three new modes:
        Legato: Note lengths are enlarged until they reach the desired overlap
with the next event. Note lengths are never shortened.
        Overlap correction: Note lengths are shortened if there is an overlap
with another note.
        Legato + Overlap correction: All notes lengths are set to the start of
the next note.
    The desired overlap range with each mode can be set with a slider and a text
field.

Percent/MIDI Resolution Switch
    Representation of velocity and controller values can be switched between
percent (0-100) and MIDI resolution (0-127) via a contextual menu on the
envelope scale in the Music Editor.
Project Page
    Added Sonogram and Waterfall modes for Spectrum Meter.

Other
    QuickTime video import and playback supported in Windows 64-bit version.
    Uploading to Nimbit® is now native to Studio One, without the need to
install a separate extension.
    You can now upload 24-bit .wav files from Studio One to Nimbit.
    Macro Toolbar support in Mac OS X 64-bit mode.
    Tempo, signature, sample rate, etc., can now be set for all templates.
    Song templates are now sorted into three tabs (Styles, Interfaces, and
User).
    New Song dialog has additional options for sample rate, resolution, and song
information settings.
    Improved Remove Unused Files: move files to trash, file list (also in other
file dialogs).
    Add Tracks dialog now has additional options for audio and instrument tracks
to make I/O connections directly.
        When creating multiple tracks at once, I/O ports can be assigned in
ascending order. This helps, for instance, to create audio tracks for recording
as an alternative to Add Tracks for All Inputs, and it also helps with MIDI
routing of multitimbral instruments when creating 16 instrument tracks at once,
connected to individual MIDI channels.
The Studio One 2.5 update also fixes the following issues:
    [Mac OS X] Root drive volume was not visible in file browser.
    [Mac OS X] Problem with many files open when ARA is disabled.
    [Windows] MPEG 1 videos were not played correctly.
    [Ampire XT] did not save 48 kHz cabinets.
    Playback was out of sync when using a long fade and overlaying object.
    Project audio cache file was not updated after song update when the song
sample rate had changed.
    Send-level automation was 10 dB too low.
    Septuplet grid was not correctly drawn.
    Crash when undoing MIDI recording.
    Crash when dragging effects/synth to Track List Inspector.
    FF and Rewind keyboard shortcuts can now be used during recording.
    UAD plug-ins did not switch to Mono mode.